Francesco Albani(March 17 or August 17, 1578 COctober 4, 1660) was an Italian Baroque painter. Born at Bologna, his father was a silk merchant who intended to instruct his son in the same trade; but by age twelve, Albani became an apprentice under the competent mannerist painter Denis Calvaert, where he met Guido Reni. Soon he followed Reni to the so-called "Academy" run by the Carracci family: Annibale, Agostino, and Ludovico. This studio fostered the careers of many painters of the Bolognese school, including Domenichino, Massari, Viola, Lanfranco, Giovanni Francesco Grimaldi, Pietro Faccini, Remigio Cantagallina, and Reni. In the year 1600, Albani moved to Rome to work in the fresco decoration of the gallery of the Palazzo Farnese, being completed by the studio of Annibale Carracci. Rome, under Clement VIII Aldobrandini (1592-1605) was exhibiting some degree of administrative stability and renewed artistic patronage. While pope Clement was born from a Florentine family residing in Urbino, his family was allied by marriage to the Emilia-Romagna and the Farnese, since Ranuccio I Farnese, Duke of Parma had married Margherita Aldobrandini. Parma, like Bologna, are part of the Region of Emilia-Romagna. Thus it was not surprise that Cardinal Odoarde Farnese, Ranuccio's brother, chose the Carraccis from Bologna for patronage, thereby establishing Bolognese predominance of Roman fresco painting for nearly two decades. | |||
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Diana and Actaeon Måleriet identifieringen:: 80586 Titta min galleri i Sverige |
Diana and Actaeon 1617(1617) Medium Oil on copper cyf 1617(1617) _ Medium_Oil_on_copper _ cyf |
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The Holy Family Måleriet identifieringen:: 82266 Titta min galleri i Sverige |
The Holy Family The Holy Familyx, oil on canvas Date 1630 - 35 cjr The_Holy_Familyx,_oil_on_canvas _ Date_1630_-_35 _ cjr |
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Apollo and Daphne Måleriet identifieringen:: 82414 Titta min galleri i Sverige |
Apollo and Daphne ca. 1615-1620 (1600-1625) Medium Oil on copper of panel Dimensions 17.5 x 35.5 cm (6.9 x 14 in) cyf ca._1615-1620_(1600-1625) _ Medium_Oil_on_copper_of_panel _ Dimensions_17.5_x_35.5_cm_(6.9_x_14_in) _ cyf |
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Hermaphroditus and Salmacis Måleriet identifieringen:: 82452 Titta min galleri i Sverige |
Hermaphroditus and Salmacis Oil on copper of panel Dimensions 14 x 31 cm (5.5 x 12.2 in) cyf Oil_on_copper_of_panel _ Dimensions_14_x_31_cm_(5.5_x_12.2_in) _ cyf |
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The Baptism of Christ Måleriet identifieringen:: 82983 Titta min galleri i Sverige |
The Baptism of Christ xThe Baptism of Christx, oil on canvas, State Hermitage Museum, St. Petersburg Date 1630 - 35 cjr xThe_Baptism_of_Christx,_oil_on_canvas,_State_Hermitage_Museum,_St._Petersburg _ Date_1630_-_35 _ cjr |
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| Francesco Albani | ||||||||||
| (March 17 or August 17, 1578 COctober 4, 1660) was an Italian Baroque painter. Born at Bologna, his father was a silk merchant who intended to instruct his son in the same trade; but by age twelve, Albani became an apprentice under the competent mannerist painter Denis Calvaert, where he met Guido Reni. Soon he followed Reni to the so-called "Academy" run by the Carracci family: Annibale, Agostino, and Ludovico. This studio fostered the careers of many painters of the Bolognese school, including Domenichino, Massari, Viola, Lanfranco, Giovanni Francesco Grimaldi, Pietro Faccini, Remigio Cantagallina, and Reni. In the year 1600, Albani moved to Rome to work in the fresco decoration of the gallery of the Palazzo Farnese, being completed by the studio of Annibale Carracci. Rome, under Clement VIII Aldobrandini (1592-1605) was exhibiting some degree of administrative stability and renewed artistic patronage. While pope Clement was born from a Florentine family residing in Urbino, his family was allied by marriage to the Emilia-Romagna and the Farnese, since Ranuccio I Farnese, Duke of Parma had married Margherita Aldobrandini. Parma, like Bologna, are part of the Region of Emilia-Romagna. Thus it was not surprise that Cardinal Odoarde Farnese, Ranuccio's brother, chose the Carraccis from Bologna for patronage, thereby establishing Bolognese predominance of Roman fresco painting for nearly two decades. | ||||||||||
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